Sometimes I like to play a few 50’s songs together, especially if they were written/composed by the same artist and sound alike, or if they have the same beat or shuffle. I like to alternate the verses and chorus’s for each song, and I have a great time, and everyone seems to know the words to at least the chorus’s, so nobody cares!
It’s when I type it out on paper and share it with someone, that’s when they point out the one glaringly obvious oversight. Yes, these two songs are from 2 different music styles. The first song is a strait up classic rock song, although it does not follow the classic 4-chord repetitive pattern, and the second song is a 12-bar blues song that was an R&B hit. However, they have the same shuffle strum and once you start playing them together you might agree with me.
I am no DJ, so my mixing is not proper, LOL. I actually go back to the first song for the ending, so maybe this is falls into the category of “mash-up”?? Although I know that term refers to a song created by blending two (or more) pre-recorded songs together, the argument was that a “medley” should consist of at least 3 songs played together in the same Key in a continuous manner.
So for that reason, I titled it Blue Suede Shoes/Flip Flop and Fly.
The first song was obviously an Elvis tune, but the second one is attributed to Joe Turner, 1955. This was his follow-up hit to Shake, Rattle & Roll of 1954. However, Elvis performed it on his first television appearance in 1956, as part of a medley that included Shake, Rattle & Roll and I Got a Woman. Other famous recordings of Flip, Flop & Fly were made by Bill Haley in 1956 on his album Rock Around the Clock, the Downchild Blues Band in 1973, and the Blues Brothers on Briefcase Full of Blues, 1978.