Mother and Christmas

The role of mother at Christmas-time has often been overlooked, except in those instances of cooking the meal and baking up a storm. Most of the Christmas tunes are homages to a down-home or country Christmas – or aspects of Christmas, like a tree! And descriptions of the decor and food never acknowledge the person who did all that!

Sometimes mother is mentioned together with father, ie. and mom and dad can hardly wait for school to start again. And also in the song, “I’m Gettin’ Nuttin’ for Christmas” because mommy and daddy are mad.

Heck, even Grandma got her own song!

So today I am posting two seemingly different songs but in each one mother plays the main role.

The first song is a tongue in cheek account of seeing mommy kissing “Santa Claus”, and is a blatant reference to who we all know plays the role of Santa Claus in the household as well.

The second one is about the best mother of all, Jesus’ mother, Mary! There are several songs about Mary. There’s “Mary Did You Know?”, “What Child is This?” etc.

“I Saw Mommy Kissing Santa Claus” was originally recorded by Jimmy Boyd on July 15, 1952 when he was just 13 years old. It was a #1 hit in December of 1952 and early 1953, and became a #3 hit in the UK when it was released there in November.

This is what I heard on the radio: the Roman Catholic Church banned this song, or basically condemned it, because it associated kissing with Christmas. And then Jimmy Boyd had to meet with someone high up in the religion to explain the lyrics of his recording to get the ban lifted. I guess this was important back in the day, but I can’t picture Elvis meeting with an Archbishop to apologize for his hip gyrations!

Many artists recorded versions of this song over the years, from the Jackson 5 to Amy Winehouse. So many are worthy of mentioning here but it would be an incredibly long list, so I am just going to say that the rock ‘n’ roll version by John Cougar Mellancamp is probably my favourite.

I Saw Mommy

Jimmy Boyd

Jimmy Boyd was a musician at an early age. His grandfather was known as “Fiddler Bill” and their entire family was involved with music, especially since his father, Leslie had over 20 siblings! From the age of 5 Jimmy was taught guitar and harmonica, and by this time Leslie had already removed his wife and children from Mississippi over to California in pursuit of better employment and quality of life. By the time Jimmy was 7 he could perform country songs on stage. At a local country music dance he was discovered by a radio station promoter and was given a slot on Saturday nights, and was also paid $50 a week! Jimmy went on to win talent shows and even landed an audition to perform a comedy skit with Frank Sinatra on his television show. What a remarkably talented young man, who eventually made an appearance on the Ed Sullivan Show, which led to appearing on Perry Como’s show, the Doris Day Show,  the Bing Crosby Show, the Bob Hope Show, and others including American Bandstand. Boyd ended up being signed by Columbia Records, who wanted him to sing pop songs, but his roots were deep in the country genre. By the time he recorded “I Saw Mommy” he was already a seasoned performer!

After experiencing mediocre results with songs by Miller for Columbia for a number of years, Jimmy ended up recording independently with the legendary Percy Faith and had a hit with “Jambalaya”, moved into producing songs for movies where he met, worked with and became friends with Bobby Darin. He was also a dedicated actor and had recurring roles in television series such as My Three Sons. He appeared in numerous Hollywood movies as both a starring and supporting actor and worked with such remarkable artists as Betty White, Rosemary Clooney, Frank Sinatra and Mickey Rooney.

Jimmy Boyd was the youngest person ever to perform on stage as a musical headliner in Las Vegas, often returning to the stage for three or more encores. He also did stand-up comedy to sold-out crowds from the age of 16 onwards. He only just passed away in our century at the age of 70 in 2009. He was known for embracing modernism as well, and his roots in social responsibility ran deep. After being drafted into the army in 1960 but being stationed stateside, he took his own show to Vietnam in 1965 for the USO. He also joined Nancy Sinatra’s USO show trip to South Vietnam to entertain American troops there.

Boney M 

Boney M was a vocal group formed by a German record producer in 1976, of Jamaican-born Liz Mitchell and Marcia Barrett, Maizie Williams from Montserrat, and Bobby Farrell (an exotic dancer) from Aruba. They achieved popularity during the disco era of the late 1970’s, and were known for their rigorous touring appearances in disco’s and clubs, and risqué stage attire. This picture represents their look most accurately at that time.

Their biggest hit came in 1978 with “Rivers of Babylon”, followed by “Rasputin”. Their hit “Mary’s Boy Child” in November of 1978 was the biggest grossing Christmas tune of 1978 in both the UK and the US, and was their most successful hit. Of interest to note: their German producer and c0-song writer was none other than Frank Farian, the notorious singer-song-writer/producer behind the infamous lip-synching duo Milli Vanilli of 80’s. The main singers for the group were Liz and Marcia. In a bizarre twist of legal fate, years after the group disbanded they were each awarded the rights to perform as “Boney M” in a court ruling by a judge. That meant that each member could tour and perform as “Boney M” with group members of their own choosing, and some of them did this late into the 1990’s, even at the same time!

Mary’s Boy Child” is a unique blend of island sound with “Hark, the Herald Angels Sing”, a traditional church hymnal. What I love is how many Caribbean and island nations put their own sound into Christian songs. These songs are almost always very celebratory: happy, positive and uplifting. The original recording was “Mary’s boy Child – O My Lord”, so I am giving that nod to you purists reading this, but at some point the “O My Lord” part was dropped and that’s how I remember it, so that is what you’ll find in my arrangement.

Below the song is a youtube vid of Liz Mitchell performing on stage at a Christmas musical. I don’t know where because the creds are in German.

Marys Boy Child

A Cup of Kindness

I must be in the mood!!!

Today’s song is Auld Lang Syne. I just asked my husband, I said, “What the heck does lang syne mean, anyway?” And he said he thinks “auld lang syne” means days of yore. Awesome. What?

I looked it up.

The music and lyrics of Auld Lang Syne were first published in Scotland in 1787. In Scotland, this song is traditionally sung on Burns Night, held on January 25th, to commemorate the life and times of poet and author Robert Burns. He was known as “the Bard” of Scotland.

The words “we’ll take a cup of kindness yet” refer to sharing a drink between men and women in love and friendship. “Auld lang syne” means the oldest best times, such as your fondest memories. This makes it very fitting for a New Year’s Eve dance or party.

So I’ve worked out an arrangement for soprano uke, based on what was available in a more simple format over the internet. Lately, I’ve been putting the starting chord in brackets in my arrangements, because one of the problems I have with a song with no Intro is I can’t find the notes to start on before we hit that main chord on the third or fourth word. Putting a starting chord in brackets will ensure that you don’t assume the song is in that Key. It’s just to help you get started, if you don’t feel like vamping on the main chord of the Key or doing no chording.

See? It’s optional!!

Auld Lang Syne

 

I’m Dreaming of a White Christmas

I’m not American, but this particular song means alot to me as a Canadian living in the “Great White North”. This is one of the songs we also grew up with.

So today I’m posting a song called “White Christmas”, made famous by the most famous crooner himself, Bing Crosby. Honestly, I could dedicate an entire posting just to Crosby songs but there is already a website for that: http://www.bingcrosby.com.

White Christmas” is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The version sung by Bing Crosby is the best-selling single of all time, according to Decca Records. The first public performance of the song was by Bing Crosby, on his NBC radio show The Kraft Music Hall on Christmas Day, 1941. He later recorded the song on May 29, 1942.

For me, the interesting part is that it was released on July 30 as part of an album of six 78-rpm discs from the film Holiday Inn – my favourite Christmas movie! The song initially performed poorly and was overshadowed by Holiday Inn’s first hit song: “Be Careful, It’s My Heart”. By the end of October 1942, “White Christmas” topped the charts. It remained there until well into the New Year. The mix of melancholy — “just like the ones I used to know” — with comforting images of home — “where the treetops glisten” — resonated especially strongly with listeners during World War II. The Armed Forces Network was flooded with requests for the song. The recording is noted for Crosby’s whistling during the instrumental.

Holiday Inn and White Christmas 

Following its prominence in the musical Holiday Inn, the composition won the Academy Award for Best Original Song in 1942. In the film, Bing Crosby sings “White Christmas” as a duet with actress Marjorie Reynolds, though her voice was dubbed by Martha Mears. “White Christmas” was later featured in another Crosby film — the 1954 musical White Christmas — becoming the highest-grossing film of 1954.

I am working on putting all of my favourite Christmas songs into one song book, and I am trying to have it ready by Monday or Tuesday. For now, please enjoy this classic Christmas tune, which I arranged for soprano uke.

White Christmas

 

Let It Snow!!

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Simcoe Christmas Panorama, Saturday, November 28/15

Yep, bring it on already! The Santa Claus Parade was last weekend, Simcoe Christmas Panorama Light-Up was on Saturday, and my daughter and I got the lights and wreathes out on the front porch, too. I even changed the outside light bulb to a green one (although Jeff twisted it off because he says, “it takes away from all the other lights”).

The point is, I’m ready to start praying to the snow gods for just a little white before Christmas. It’s not even December the 1st until tomorrow, but last year at this time we already had snow for about a week.

So in honour of “almost” December, I am kicking the season off with two Christmas songs. One is from our group a couple of years ago, called “It’s Beginning to Look Alot Like Christmas”, by Meredith Willson. The Christmas song with the longest title. This was a hit by both Perry Como and Bing Crosby in 1951, but it’s probably the version by Johnny Mathis for his 80’s television special that I think of.  Popular belief behind the writing of the song is that Willson wrote it in Yarmouth, Nova Scotia while staying at the famous Yarmouth Grand Hotel. From there he could see a decorated Christmas tree in Frost Park, located directly across the street from the Grand Hotel.

This is a really fun song with a moderately paced tempo. That being said, there is one spot in there where I recommend players abandon the Bdim chord, which is a four-finger chord, in favour of playing just a G7, which actually is 3/4 of the Bdim chord anyway, and only because you are already forming Gm7 right before you have to fumble your way into the Bdim. Because of the quick tempo. In a group, no one will notice. 🙂

The arrangement is laid out for an optional kazoo solo, and I’m going to give you one huge free piece of advice for success here. For the kazoo solo, it is absolutely imperative to make sure your kazoo is in tune beforehand.

Beginning to Look a Lot Like Christmas

https://www.youtube.com/watch?v=8g_at4YiHHU

The second song is “Let It Snow” ~ of course! Composed in July 1945 by Jule Styne, words by Sammy Cahn, in Hollywood, California ~ during a heat wave! This is also the holiday tune most associated with Dean Martin, who recorded it in 1959. Bing Crosby also recorded this tune on his famous 1962 album, I Wish You a Merry Christmas. The original recording by Vaughn Monroe plays at the end of the 1988 movie Die Hard.

This is my own arrangement with a nice tagged ending. I don’t play the song twice through because it’s one of these pseudo-ballads that almost tells a story. I like it in C because it suits my vocal range the best. Not perfect, but close. Also, surprisingly easy to memorize, however when performing for a crowd, keep in mind that most people only know one line: let it snow, let it now, let it snow!

Let it Snow

https://www.youtube.com/watch?v=o2uvtl-1V70

 

A Good Pie Auction

Two or three years ago my friend Cheryl approached me to play some ukulele tunes in Norwich for her church’s pie auction fundraiser – stop already, you had me at “pie auction”!!

And it was really fun. The spokesman would announce an entertainer – who was allowed no more than 10 minutes – immediately followed by auctioning of baked goods by the pastor.

Of course, Cheryl’s husband Bill was always trying to get something for “two bits!” Cheryl said that as the years went by the talent show part of the fundraiser kept growing so that the time of the event kept moving back. So the first time I attended with her I think it started at 4 p.m. and I think it went on til 9 p.m. at night and the place was packed.

The songs we did that year were Ghost Chickens, which I made available in my first Song book, and Side by Side. This year our “hit” was Ukulele Lady as performed by Cheryl’s brother doing the hula in a grass skirt, wig and coconut bra. Who doesn’t want a pie after seeing that??!!!!

Here is Side By Side, from the online ukulele songbook Hits of the Blitz, available from the Worthington Uke Jam website:

http://www.wukulele.com

under the Songbooks tab. They have many songbooks available to download.

Cat’s favourite “Ukulele Lady” version:

Cheryl’s favourite version:

This “Ukulele Lady” version for soprano ukulele we doctor’d to suit ourselves for performing at the Pie Auction. In the first verse you’ll see a C-G7 above “a-long”, which is a slide off C up to the G7 and you sing it by going up with your voice from C up to G for the word “long”. In the chorus, the triangle symbol before the words “Maybe” means a pause, so you strum the new chord first and then start singing.

UKULELE LADY PERFORMANCE

 

My Friend Cheryl

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Burnin’ Love and Grandma’s Feather Bed – country theme song night

Have you ever had one of those friends? One who keeps you surprised because you never know what to expect, and at the same time you expect them to rise above everything. This is my friend Cheryl, and she sure keeps me laughing.

“You know what I like about you Cheryl? The fact that we can talk about anything!” (Laughter)

This is what I declared last Tuesday night on our way back home from Tillsonburg. We had just finished a lively discussion about the British versus the American way of appropriating countries from Jamaica and the Virgin islands to Hawaii, Alaska and Cuba. In fifteen minutes, ha ha!

Cheryl can also be like a big sister to me, but she doesn’t play that “I’m a few years older” card on me, ever. Two weeks ago we were talking about our relationships with our daughters. We both have three children. I have a son and two daughters; she has a son, only one daughter and a younger son. We have lots in common yet we come from different backgrounds.

The most hilarious thing about her is she is a Minister’s wife. It just makes her huge socially and she has got to be the most diplomatic person I have ever met. She also manages the church choir and is a walking encyclopedia of musical facts. She also has a flare for dressing up to play parts – she owns two tickle trunks!

When I first met her in 2011, it was actually at Sharp Bus Lines. I had just gotten back from attending the Ukulele Ceilidh in Liverpool, Nova Scotia and had come into the office to reclaim my bus keys so I could go back to work on Tuesday. Cheryl was in the office too because, well, first of all she is one of their new driver trainers and secondly she was returning my bus keys because she covered my route for me. She ran around the counter and grabbed me by both arms, looked me strait in the eye and demanded to know where this uke group was. Like an interrogation. She was so excited and couldn’t wait to join.

Turns out Cheryl has been playing the ukulele ever since she heard Peter Gzowski on CBC Radio announce that he could teach anyone to play the ukulele in 10 minutes. When they came back from commercial break she was waiting for her first lesson, borrowed uke in hand. The year she joined our uke group she asked me if I wanted to perform a song with her for the upcoming theme song night, “Show Tunes”. She wanted to do “New York, New York.” (You know, by Sinatra) So we practice it a bit and get it down and she keeps telling me to remember to wear a suit jacket on performance night, etc.  Below is the outcome.

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In case you are confused, Cheryl is Liza Minelli. 🙂 I am dressed the way I am because I didn’t understand the assignment! Seriously: I had no idea we could dress up for songs. Ever since then, we have been as thick as thieves. Below are some more pictures of our good times together. Read the captions for a description of the event.

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At the 2nd annual potluck Luau in Port Ryerse
Potluck Christmas uke party
Potluck Christmas uke party
At the Tie-Dye and Flowers in Your Hair theme song night
At the Tie-Dye and Flowers in Your Hair theme song night

And now, we are starting our own group in Tillsonburg. We are calling it the T’UkeS to stand for the Tillsonburg Uke Society. We are going to occupy a room at the Tillsonburg Station Arts Centre to teach beginners, and hopefully these people will form the basis of a group for us. You just never know!

Onwards and upwards!  Looking forward to this next chapter in both of our lives!

My New Thing

Aloha ukies! (Ha ha, that’s a play on “foodies”)

Cheryl and me at a potluck Christmas uke party, yeeeeears ago
Cheryl and me at a potluck Christmas uke party, yeeeeears ago

Recently I had to make a big decision. I conferred for many months in fact, with numerous friends (whether they wanted to hear about it or not!) and family members. I came to the best decision for me, which was to leave my parent uke group, Dover Uke Heads. Although I enjoyed my time with them, my friend Cheryl and I wanted to start a ukulele group in the town of Tillsonburg, so that is what we are doing.

DSCF6541One of the most memorable times with DUH was the Port Dover Santa Claus Parade in November 2013. That year that I had joined the United Drum and Bugle Corps playing snare drum with my sister and my daughter Samantha playing bugle and marching in the corps. Turned out that year both the Drum and Bugle Corps and the DUH were going to be in this local parade. Since our group leader was going to be there on the float with the ukers, I decided to march with the drum corpDSCF6559s.

About a half hour before the parade starts the officials judge all the floats and the DUH float won “Best Non-Commercial Float”!! When I heard the news I ran over to the DUH’s to celebrate with them. I was so proud of everyone!!! So here I am  dressed to the nines in a bright green marching uniform with white rope epaulets, brass buttons, a silver-sequinned sash and a huge black hat with a big, fluffy green plume, and I’m jumping up and down, whooping and hollering with all these folks in yellow shirts. Ha ha. And afterwards one of the DUH’s said to me, “I know you were in uniform to be with the marching band but I could see that your heart was with us.”

And that sentiment was true for quite a while. I am now moving on to activities that make me happy, that I want to make time for and one of them is starting a new group. Beyond that, I have to point out that I am not a Senior, I work full time, I have 3 children to look after plus a next-husband, my car, yard and household. I can’t dedicate 30 hours a week to something that is supposed to be a hobby. Maybe someday when I am 65 years old and have all the time in the world on my hands, I might be part of a performance group again, but until then my life and my family are going to be my priorities. Of course, there is much more to it than that ~ which remains best unsaid.

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I am really looking forward to what the future may bring in a new town, especially meeting new people. We are going to be teaching beginners at the Tillsonburg Senior Centre and eventually growing into a decent group of uke players. I hope you will wish us luck!

 

 

Autumn Leaves

In keeping with the season, today’s song is called “Autumn Leaves”, a 1945 Jazz standard composed by Joseph Kosma. Originally it was a 1945 French song “Les feuilles mortes” (literally “The Dead Leaves”) with music by Hungarian-French composer Joseph Kosma and lyrics by poet Jacques Prévert.

According to Wikipedia: “American songwriter Johnny Mercer wrote English lyrics in 1947, and Jo Stafford was among the first to perform this version. “Autumn Leaves” became a pop standard and a jazz standard in both languages, both as an instrumental and with a singer.”

Many recording artists covered this song but it is best known by Frank Sinatra, Nat King Cole and Miles Davis. Nat King Cole’s recorded version was the theme song for the 1956 movie, Autumn Leaves, starring Joan Crawford. Eric Clapton also recorded a version for his 2010 album.

In the Ukulele world, it is best known by jazz artist Lyle Ritz. 🙂 This book compiled by Jim Beloff  features this astoundingly talented “god of jazz ukulele”, and includes the sheet music and jazz chords for “Autumn Leaves.” Otherwise, you can find the soprano version for it at the Dr. Uke website.

Click to access autumnleaves.pdf

and the TAB for the soprano arrangement is from the San Jose Uke Club website: Autumn Leaves soprano TAB.

I actually found the version for Linear tuning, or Low g, which is my preference, at the BUG  (Bytown Ukulele Group) website. There wasn’t a TAB for it so I had to write it out myself. I’ve been sick with a cold and then a lung infection – coughing non-stop!!! it seems – for about a month, so this was one way to spend the time. I would like to give credit to who ever wrote out the lyrics and chords for it but there was no name, so the best I can do is to acknowledge the Ottawa-based BUG group for providing it on their website.

There’s no Intro so you can vamp on Am or come up with your own. I prefer to use Dm instead of D6 in my version, but play which ever one you prefer:  AUTUMN LEAVES and Autumn Leaves TAB.

Here are a couple video’s of Nat King Cole and of Eric Clapton playing Autumn Leaves:

Don’t Stop

Christine McVie, on stage with Fleetwood Mac in 2014, singing Don’t Stop

Here is another romp through the mellow-ness of the 70’s – boy, if I keep this up I might have to add yet another category!

My Aunt MJ bought me my very first copy of the Fleetwood Mac album Rumours, and I loved it, loved it, loved it! I think it was actually in 1977 and I was just starting to buy Lp’s and play them on my mom’s old suitcase record player. What fun. I also had the movie soundtrack to Grease. Ha ha! Great memories!

So my rendition of “Don’t Stop” is in the Key of D, sorry! I found it in G, and it was one of those impossible keys for my voice: both too high and too low. Yes, figure that one out! I sing this song in karaoke a lot, so the Key of D it is!!!

The strum pattern is two strums on D, two strums on C and then the usual 4 strums on G. Rinse and repeat. With A and A7 thrown in for the anxiety chords that come right before the chorus. It’s just a fun old romp through. Hope you enjoy it!

DONT STOP D

On and On

Being a child of the 70’s I love this song along with most of the easy listening genre that was prevalent during that time. Some of the artists known for this genre are Lionel Ritchie, Phil Collins, Art Garfunkel, Anne Murray, Eric Clapton, Steve Miller Band, the Eagles, ABBA, Neil Young, Gloria Gaynor, Paul McCartney (Maybe I’m Amazed), Marvin Gaye, Crystal Gayle, Juice Newton, The Carpenters, David Bowey (Space Oddity) and even singles by John Lennon such as Imagine.

One of my favourite songs in the 70’s was “On and On” by Stephen Bishop.

One of the main things Stephen Bishop did to survive as a musician was songwriting. You would be surprised at how many very famous recording artists signed on to recording labels for just that reason and churned out hundreds if not thousands of hit-maker songs for other artists (ie., Willie Nelson).

So Stephen Bishop was in this same boat, and after about 8 years didn’t Art Garfunkel come along and select two of Bishop’s songs off a demo tape to record for his platinum record Breakaway. They were “Looking for the Right One” and “The Same Old Tears on a New Background.”  Within a year Bishop had his fist album Careless which contained his two biggest hits: “Save it for a Rainy Day” and “On and On.” Other artists who contributed to his album were Eric Clapton, Garfunkel and Chaka Khan. Bishop had one more Top 100 hit on his next album in 1978, but surprisingly he went on to write and perform numerous hit songs for popular movies, including the theme song for the famous Dustin Hoffman movie Tootsie, “It Might Be You”.

Other well-known movies he contributed songs to were “Dream Girl” for Animal House; “Separate Lives” for White Nights, sung by Phil Collins and Marilyn Martin; “Your Precious Love” for Roadie; and “Unfaithfully Yours (One Love)” for Unfaithfully Yours. He also produced some songs for Phil Collin’s 1989 album Bowling in Paris, working with Eric Clapton and Sting.

Stephen Bishop – to the right of John Belushi – as the “charming guitar guy” at the toga party scene in the movie Animal House.

In 1978 Stephen Bishop was the musical guest star on the acclaimed television show, Saturday Night Live. He also appeared in a scene in National Lampoon’s Animal House as “Charming Guy with Guitar” where John Belushi smashes the guy’s guitar. Bishop claims to have kept the smashed guitar from that scene as a memento of Belushi. He also appeared in the 1980 film The Blues Brothers as “Charming Trooper” who breaks his watch during the mall chase.

Stephen Bishop’s biggest hit remains “On and On”. I just happened to come upon an arrangement of it in Jim Beloff’s music book, Jumpin’ Jim’s Island Ukulele. It can be found on page 57.

I also want to mention that I own two other Beloff music books, Jumpin’ Jim’s Ukulele Beach Party and Jumpin’ Jim’s Gone Hawaiian. But in this particular book, you get a fantastic information page called “Strum Shack” on page 3 that uses illustrations and symbols to explain specific strum patterns. The first one is “Island Strum”and it is INVALUABLE…… for learning towards performing most of the songs in this book. Jim claims the Island Strum can be used to “spice up” songs like “I Can See Clearly Now” and “Jamaica Farewell”.

These books also give you two pages of chords as well. In Ukulele Island it’s called the “Chord Cabana” on pages 4 and 5 (also invaluable). Just as a last comment, I would like to say that it has been my experience that when you buy a Jim Beloff book you get so much more than you were looking for! I never expected to gain those strum patterns from his book but that is exactly where I first learned to do the Roll Strum. Ukulele Island also has “Margaritaville”, “Beyond the Sea”, “Day-O (the Banana Boat Song)”, “Don’t Worry Be Happy”, “Marianne”, “Sway”, “Three Little Birds”, a Jimmy Buffett song called “Volcano” and more (some were Hawaiian or Polynesian and I’m not familiar with them).

So here is my rendition of “On and On” in the Key of C with, of course, my own embellishments. The song rocks back and forth in a 4-beat measure between C and Am, two beats each, so the way I play it is to continue to hold down C and just add Am with my second finger. Beloff’s arrangement uses a suspended G7, but since I never could get my fingers to reach it, I prefer to limit it to G7. Since we are only on it for 2 beats before returning to the C and Am combo I feel that less is more in this instance. We don’t skimp however, on the suspended A7 because it has a leading cadence into the next chord of A7, and this is a really sweet combination. Lastly, at the end of the Bridge, I put in a D7 chord only because I am unfamiliar with playing D9, which is the chord that is called for there, but I am not used to the jazz sound of it. I mention it so you can have the option of replacing the D7 with D9.

My favourite thing about this song is also THE FACT that:  EACH CHORUS IS DIFFERENT!!!!! So wake up out there, lyrics writers! Pay better attention!!! I can not tell you how many online versions of this song have – mistakenly –  only one chorus. Ahem! It goes like this; the first verse is about Lonesome Sue so the corresponding chorus goes, “On and on, she just keeps on trying, and she smiles….,” etc. The second verse is about Poor Ol’ Jimmy (steals the stars from the sky) so the corresponding chorus is ACTUALLY this: “On and on, HE just keeps on trying, and HE smiles when HE feels…..,” etc. The last verse is about…..ME!! So the corresponding chorus goes, “On and on, I just keep on trying, and I smile when I feel like…..” etc. I can see how the confusion got started, since “he” does happen to rhyme with “she”. So when people began to recognize this song on the radio I imagine they sang along at the top of their lungs, effectively drowning out the song itself and never realizing that the three chorus’s differed from each other.

Thank God for Youtube.

ON AND ON

       These books and others by Jim Beloff can be found at his website, Flea Market Music for $14.95 plus shipping and taxes. I have also found them on http://www.amazon.ca for a comparable price.

Aloha!